Deeply Hanging Out – Day 2: Screen Program

Film Screening
24 May 2025
A soft, flesh-toned sculptural object resembling a human face, distorted as if folded over itself. The features - nose, lips, and part of a cheek - are visible but warped, creating a surreal and abstract effect against a plain white background.
A soft, flesh-toned sculptural object resembling a human face, distorted as if folded over itself. The features - nose, lips, and part of a cheek - are visible but warped, creating a surreal and abstract effect against a plain white background.

Join us for the Screen Program – part of Day 2 of Deeply Hanging Out, a two-day celebration of experimental performance and collaborative live art unfolding across Adelaide’s public spaces and at ACE.

When

The Mercury's Iris Cinema

24 May 2025

10:00am to 7:00pm

Access

This curated screen program explores performance, performativity and live art through experimental film, documentation and the audiovisual archive.

Running on a loop throughout the day in The Mercury's Iris Cinema, the program complements the live performances, talks, readings and music happening at ACE. Drop in any time to experience a 90-minute mix of short films, video works and documentation that reflect on how live art is recorded and remembered.

Feature Image: Shirley Wu (2019), ‘How are You?’

Deeply Hanging Out Artists

Stephen Atkinson,
Troy-Anthony Baylis,
Dylan Crismani,
Eleen Deprez,
Adam-Troy Francis,
Paul Gazzola,
Alex Grant,
Sasha Grbich,
Dominic Guerrera,
Matt Huppatz,
Kirsty Martinsen,
Monte Masi,
Chris Reid,
Gabriella Smart,
Lonely Speck,
Yasemin Sabuncu

Screen Program Artists

Aidan Hughes,
Allison Chhorn,
Ariella Napoli,
Cynthia Schwertsik,
Elyas Alavi,
Henry Wolff,
Ray Harris,
Robert Wyatt,
Sarah Tickle,
Shirley Wu

Full program to be announced soon!

Artists

Antony Abbracciavento,
Elyas Alavi,
Emiko Artemis,
Stephen Atkinson,
Troy-Anthony Baylis,
Alycia Bennett,
Jingwei Bu,
Patrick William Carter,
Luna Chan,
Allison Chhorn,
Amber Cronin,
Dylan Crismani,
Eleen Deprez,
Stephanie Doddridge,
Adam-Troy Francis,
Paul Gazzola,
Alex Grant,
Sasha Grbich,
Dominic Guerrera,
Ray Harris,
Aidan Hughes,
Matt Huppatz,
Heidi Kenyon,
Kirsty Martinsen,
Monte Masi,
VNS Matrix,
Shan Michaels,
Ariella Napoli,
Alexandra Nitschke,
Chris Reid,
Yasemin Sabuncu,
Fiona Salmon,
Cynthia Schwertsik,
Gabriella Smart,
Soundstream,
Trudy Tandberg,
Sione Teumohenga,
Sarah Tickle,
Henry Wolff,
Shirley Wu,
Robert Wyatt,
Jake Yang,
Yasser Yassin,
Shenshen Zheng,
Students from South Australian School for the Visually Impaired

Curators

Henry Wolff,
Danni Zuvela

Deeply Hanging Out is a two-day celebration of experimental performance and collaborative live art – unfolding across Adelaide’s public spaces and at ACE.

Day 1 / Friday: Workshop
A collaborative workshop for artists to develop, test and share performance ideas in progress.

Day 2 / Saturday: Performance & Screenings
A full-day program of live performances, readings, experimental music, and screenings – including the Deeply Hanging Out Screen Program running on loop at Mercury Cinema.

Support

Adelaide Contemporary Experimental (ACE) is supported by Create SA and Creative Australia.This project is supported by City of Adelaide and History Trust of South Australia. Shan Michaels is supported by Arts Queensland.
Special thanks to project partners the South Australian School and Services for the Visually Impaired, and The Mercury.

ACErlu tampinthi, ngadlu Kaurna yartangka inparrinthi. Kaurna miyurna yaitya yarta-mathanya Wama Tarntanyaku. Parnaku yailtya, parnaku tapa purruna, parnaku yarta ngadlurlu tampinthi. Yalaka Kaurna miyurna itu yailtya, tapa purruna, yarta kuma puru martinthi, puru warri-apinthi, puru tangka martulayinthi. Ngadlurlu tampinthi purkana pukinangku, yalaka.

ACE respectfully acknowledges the Kaurna people are the traditional custodians of the Adelaide Plains. We recognise and respect their cultural heritage, beliefs and relationship with the land. We acknowledge that they are of continuing importance to the Kaurna people living today. We acknowledge Elders past and present.