Deaf-led tour – Somewhat Eternal
Join guide Samantha Wilson for a deaf-led tour of ACE’s Somewhat Eternal by Justine Youssef, followed by a tour of Dwelling (Adelaide Issue) by Archie Moore at Samstag Museum of Art.
Adelaide Contemporary Experimental
19 October 2024
12:00pm to 2:00pm
This tour is partnered with Samstag Museum of Art. For those who wish to join both tours, Sam Wilson will lead the tour group over to the Samstag Museum of Art for a tour of Dwelling (Adelaide Issue) by Archie Moore at 1pm.
This tour will be in Auslan only with no English interpretation.
You can also access Somewhat Eternal's plain language document, sensory map and Auslan video here.
Feature Image: Image 1: Justine Youssef, 'Somewhat Eternal' (2023), three channel video (still), 11 minutes. Courtesy the artist. Image 2: 'Dwelling (Victorian Issue)' (2022), installation view, Gertrude Contemporary. Photography by Christian Capurro. Courtesy of Gertrude Contemporary.
This video has been made possible with support from the Government of South Australia through the Richard Llewellyn Deaf and Disability Arts program.
Artist
Curator
About the exhibition
Justine Youssef’s Somewhat Eternal is a multi-sensory installation, encompassing video, textiles, text, scent.
Justine Youssef’s auto-ethnographic films and installations explore the impacts of displacement and prompt us to consider our complicity in creating it. Relationships to land and the endurance of rituals and beliefs are key ideas for the Darug/Sydney-based artist.
Somewhat Eternal is a multi-sensory installation, encompassing video, textiles, text, scent. The central work—a three-channel video shot in Lebanon—shows the artist’s aunt performing R’sasa, or molybdomancy, a traditional alchemic practice of clearing the evil eye. For generations, the artist’s family have used their knowledge of the local mountains and ecology to survive famine and military occupation and to heal everyday ailments and misfortunes.
From 1982 to 2000, parts of Lebanon were under Israeli occupation, and the lead used in R’sasa is often extracted from bullets still found in the region. Through this material connection, Youssef asks us to consider colonisation as a curse that inhabits and influences social and cultural life.
Throughout the installation, embroidered textiles are scented with plant hydrosols—aromatic waters produced by steam distillation of plants—using a process the artist inherited matrilineally. Here, Youssef has substituted commonly used plants with blessed milk thistle, burnet rose, damask rose, and Lebanese cedar, chosen for their complex relationships to land subjugation, occupation, and renewal.
Somewhat Eternal expands from familial narratives to consider broader social and political currents, revealing the connections between human displacement and ecology. Within these acts of ritual and preservation, now fragmented and altered across geographies, lies a belief in the alternatives they offer us.
Curated by Stella Rosa McDonald, Tulleah Pearce and Patrice Sharkey.
About the artist
Justine Youssef is a Darug/Sydney-based artist whose work uncovers links between family ritual, superstition, ecology, displacement, and settler relationships to land through scent, performance, video, and installation. Her work has been exhibited in the 2022 Hawai’i Triennale, and at the Powerhouse Museum, Sydney (2022) and Museum of Contemporary Art Australia, Sydney (2021). She was the 2019 recipient of the Copyright Agency’s John Fries Award.
Support
Somewhat Eternal is a co-commission by Adelaide Contemporary Experimental, the Institute of Modern Art, and UTS Gallery & Art Collection. It is supported by the Creative Australia’s Visual Arts and Crafts Strategy (VACS) Major Commissioning Projects fund and the Gordon Darling Foundation.
