Metaverse

Past Exhibition
9 April - 14 May 2022
Painted Black and white word mind map diagram.
Painted Black and white word mind map diagram.

Curated by Patrice Sharkey

When

9 April to 14 May 2022

Access

Metaverse is a group exhibition that considers what it means on a human-level to be shaped and governed through the advent of the Internet.

In October 2021 Facebook announced that the company would be rebranding itself, intent on making our virtual lives more seamlessly integrated with our real ones by building the ‘metaverse’. In the same month, Facebook whistle-blower Frances Haugen testified before the British Parliament that the company’s CEO Mark Zuckerberg ‘has unilateral control over 3 billion people.’

Against this backdrop, Metaverse brings together a select number of works that foretell dystopian visions in response to our increasingly inescapable relationship to technology. Addressing issues ranging from corporate surveillance, social isolation and conspiratorial tendencies, a sense of latent violence is ever present.

When life is mediated through the ether of digital communications and computer-generated images, what do we understand as truth, reality and selfhood? Intentionally immersive and drawn towards the hand-made and outmoded, Metaverse invites its audience to think critically about the way we use technology and what technology is doing to us.

Roy Ananda’s commission, Electronic void illusion 2021-2022, has been supported by the Andreyev Foundation.

Feature Image: Giselle Stanborough, Cinopticon (2021), Adelaide, acrylic paint, ACE gallery walls. Courtesy the artist.

Lead Artists

Roy Ananda,
Britt d'Argaville,
Giselle Stanborough,
Harun Farocki
  • Two spotlights highlight the white painted diagrams and words on the black walls in the gallery.
  • A sculpture comprised of a collective mass of linear wires installed between two gallery walls 2 meters above ground level.
  • Film still of two people in the bush projected onto the blue, dimly lit gallery space.
  • A view of a brightly lit tunnel with pages of writing and diagrams by Roy Ananda. At the end of the tunnel Gilselle Stanborough's painted installation.
  • Printer paper with writing vertically lines the gallery wall.
  • A tunnel is lined with printer paper to the left and images diagrams to the right. The wall is painted black with white writing at the end of the tunnel.
Two spotlights highlight the white painted diagrams and words on the black walls in the gallery.

ACE tampinthi, ngadlu Kaurna yartangka panpapanpalyarninthi (inparrinthi). Kaurna miyurna yaitya mathanya Wama Tarntanyaku. Parnaku yailtya, parnaku tapa purruna, parnaku yarta ngadlu tampinthi. Yalaka Kaurna miyurna itu yailtya, tapa purruna, yarta kuma puru martinthi, puru warri-apinthi, puru tangka martulayinthi.

ACE respectfully acknowledges the traditional Country of the Kaurna people of the Adelaide Plains and pays respect to Elders past and present. We recognise and respect their cultural heritage, beliefs and relationship with the land. We acknowledge that they are of continuing importance to the Kaurna people living today.